Xita Rubert’s prose is distinct: intellectual, witty, and deeply introspective. She cites influences ranging from the institutional analysis of Michel Foucault to the literary stylings of Thomas Bernhard and Robert Walser. Her writing style is reminiscent of the "autofiction" tradition popular in contemporary European literature (comparable to Annie Ernaux or Rachel Cusk), but with a distinctly playful and experimental voice. The narrative voice is self-aware, often commenting on the act of writing the book itself.
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La obra respira en tonos tropicales y costeros: azules mojados, verdes de manglar, latas de sol que rebotan en fachadas descascaradas. Pero bajo esa paleta cálida hay sombras persistentes —sospechas, secretos familiares, heridas pequeñas que no cicatrizan— que contrastan como pinceladas de carbón en una acuarela. El tono oscila entre la nostalgia y la ironía, con destellos de humor negro que alivian la tensión sin diluirla. Xita Rubert’s prose is distinct: intellectual, witty, and