In this first volume, Inoue’s art style is much more "cartoony" compared to the hyper-realistic, gritty style he develops later in . You’ll notice: Comedic Distortions: Characters frequently shift into "chibi" forms during gags. Kinetic Energy:
His subsequent fixation on Haruko Akagi, a sweet-natured girl who is utterly unafraid of him, is the volume’s central engine. When Haruko asks, “Do you like basketball?”, Sakuragi, seeing a path to her heart, immediately lies: “Yes! I love it! The great Sakuragi is a basketball prodigy!” This lie is the first crack in his delinquent armor. He is now committed to a sport he knows nothing about, driven by the same impulsive desire for acceptance that led him to fifty failed confessions. The humor of Slam Dunk is at its peak here, as Sakuragi’s initial attempts at the sport are catastrophic—he tries to dunk by throwing the ball from the three-point line, he inadvertently hits a senior player in the groin, and his knowledge of the rules is nonexistent. Yet, Inoue carefully ensures these failures are not humiliating but endearing. We laugh with Sakuragi’s frustration, not at his incompetence, because we understand the vulnerable heart beneath the red hair.
However, even in this early volume, glimpses of genius shine through. The double-page spread of Sakuragi leaping for a rebound is breathtaking. Inoue captures the anatomy of a jump—the flexed muscles, the horizontal trajectory, the sheer desperation—with a level of detail rarely seen in debut volumes.
Sakuragi, desperate for Haruko’s affection, immediately lies. “Yes! I love basketball! I am a prodigy!”