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Modern cinema has increasingly moved away from the idealized nuclear family model, reflecting broader sociological shifts towards divorce, remarriage, and multi-parental structures. This paper examines the portrayal of blended family dynamics in films from 2000 to the present. It argues that contemporary cinema has transitioned from treating stepfamilies as a source of simplistic comedic conflict or gothic horror to a nuanced exploration of negotiated kinship, loyalty binds, and the redefinition of "home." Through case studies including The Family Stone (2005), The Kids Are All Right (2010), Instant Family (2018), and The Lost Daughter (2021), this analysis identifies three primary narrative frameworks: the aspirational assimilation model, the queer reconstitution model, and the post-traumatic fragmentation model.