Her first few films were gentle whispers. V.I.P (1997) introduced her as the sweet, girl-next-door, but it was Nerukku Ner (1997) opposite a young Vijay that first made the audience lean forward. She wasn't just a pretty face; her eyes could sparkle with mischief one second and well up with unshed tears the next.
Unabhängig. Meinungsstark.
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