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In the post-2010 era, particularly after the watershed success of Traffic (2011) and Drishyam (2013), a new generation of filmmakers (Dileesh Pothan, Lijo Jose Pellissery, Mahesh Narayanan, Khalid Rahman) stripped away the last vestiges of cinematic glamour.

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Malayalam films often serve as a tool for critical social discourse. In the post-2010 era, particularly after the watershed