For the uninitiated, "Malayalam cinema" might simply be a niche branch of Indian film, often overshadowed by the commercial juggernauts of Bollywood or the spectacle of Tamil and Telugu cinema. However, for the people of Kerala, affectionately known as Keralites or Malayalis , their film industry—often referred to as Mollywood —is not merely entertainment. It is a cultural archive, a social conscience, and a relentless mirror held up to the soul of one of India’s most unique and complex societies.
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The last decade has seen a violent, necessary rupture. Filmmakers like Dileesh Pothan, Aashiq Abu, and Jeo Baby have begun to shine a light into the darker alleys of Keralite culture: caste atrocity and religious bigotry. Kaanthaar (2022), though controversial, used the language of fantasy and EPIC to discuss the subjugation of the Pulayan and Paravan communities. Nayattu (2021) exposed how the state’s police machinery, often seen as a modern meritocracy, remains a tool for upper-caste oppression.
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