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The reclaimed materials (weathered timber, rusted steel) function as palimpsests of histories that have been erased, repurposed, or suppressed. By re‑contextualizing these artifacts within an aesthetic of renewal, the artists comment on the possibility of reconstructing memory from debris. The soundscape’s field recordings—snippets of daily life in different locales—act as auditory fossils, preserved and reassembled. Naomi’s choreography, especially the “folding” gesture, symbolizes the act of re‑folding these fragmented memories into a new narrative. Due to the strong association of these terms
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