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: Cinematographer Mahendra Shetty utilized a specific color palette to mirror the emotional journey: the "golden glow" of 1950s Bengal representing blossoming love, shifting to "icy blues" in Dalhousie to reflect heartbreak and isolation [22].

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Prepared by: – Media‑Analytics Consultant Date: 14 April 2026 : Cinematographer Mahendra Shetty utilized a specific color

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