Shows like The Crown (led by the magnificent Imelda Staunton), Mare of Easttown (Kate Winslet, producing and starring at 45+), and Killing Eve (Sandra Oh) have proven that audiences are ravenous for stories about complicated, unglamorous, and ferociously intelligent older women. These are not plot devices; they are the plot.
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However, the cultural cache of the mature woman is undeniable. We have moved from an era of erasure to an era of exploration. Cinema is finally acknowledging what the audience has always known: a woman’s story does not end when she hits menopause. In many ways, as the stakes get higher and the masks fall away, that is precisely Shows like The Crown (led by the magnificent
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