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Unlike other industries that worshipped mythology, early Malayalam cinema borrowed heavily from Navodhana (The Renaissance). The influence of writers like Sreekantan Nair and Thakazhi Sivasankara Pillai turned films into visual literature. The culture of Chavittu Nadakam (a Christian folk art) and Kathakali (the classical dance-drama) informed the mise-en-scène, creating a visual grammar that was exaggerated yet rhythmic.