The top deck, then, isn’t just a place of transit. It’s a contested space where power, anonymity, and everyday movement collide—and where recognizing encoxada for what it is (not a accident, but an assault) is the first step toward reclaiming the ride.
: It could refer to a type of performance art, a flash mob, or a cultural event where participants gather on the top of a bus. This could involve dance, a form of social commentary, or a prank aimed at highlighting public spaces' usage. encoxada in bus top
No one should have to endure unwanted contact just to get from one place to another. On the bus top or anywhere else: consent is not suspended by crowded conditions. The top deck, then, isn’t just a place of transit
If you have experienced encoxada , you did not cause it. You did not invite it by wearing shorts or sitting by the window. The only person responsible is the encoxador . This could involve dance, a form of social
The term comes from the Spanish encoxar (“to press with the hip or thigh”), and in many Latin American and Spanish cities, it’s a recognized form of street-level sexual harassment. Unlike groping, which requires a hand, encoxada relies on the illusion of accident. The perpetrator—almost always a man—uses sudden braking, curves, or crowd surges to grind against a victim, often while holding a jacket, bag, or newspaper as a visual shield.