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Shrugging off the feeling, Soonkki made her way to her car, parked a few spaces away. As she inserted her key into the ignition, her eyes flicked to the rearview mirror, catching a glimpse of the mysterious figure now standing behind her.

Bum’s everyday routine is shown in a series of muted panels: he works a dead‑end part‑time job, spends his evenings playing video games, and habitually watches crime shows. The narrative establishes his internal monologue, which vacillates between self‑deprecation and a yearning for connection.

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