Stossgebet Fur Meinen Hammer -hans Billian- Lov... 2021
based on limited reviews. It is often categorized as an "Adult Short" and is part of Billian's extensive filmography of similar 1970s and 80s productions. films or his impact on 1970s adult cinema Stoßgebet für meinen Hammer (Short 1976) - IMDb
By applying this sacred form to a (a tool of labor, construction, or destruction), Billian executes a masterstroke of comic inversion. Stossgebet fur meinen Hammer -Hans Billian- Lov...
His crowning (and notorious) achievement was the series, particularly Magdalena – Vom Teufel besessen (1974). But his true claim to the keyword “Lov…” lies in the “Lovestories” subgenre. Between 1970 and 1975, Billian directed a string of episodic sex comedies with titles like Lovestories 1: Heiße Nächte and Die nackten Puppen von Rio . The common denominator? A crude, bawdy humor mixed with a distinctly German, workmanlike attitude toward sex—hence, perhaps, the “hammer.” based on limited reviews
"Stoßgebet für meinen Hammer" likely emerges from this latter, more ironic phase of his career, possibly as a literary sketch, a spoken-word piece, or a scene within a lesser-known film. The title itself is the key. His crowning (and notorious) achievement was the series,
Without more context or information about the piece, including its genre, the intentions of the artist, and the era in which it was created, providing a more detailed analysis is challenging. However, "Stossgebet für meinen Hammer" certainly presents an intriguing title that invites interpretation. It could reflect themes of urgency, personal struggle, or the quest for creative or personal expression. If you're looking into this for academic purposes, historical context, or simply out of curiosity, exploring similar works or the discography of Hans Billian might provide further insights.
The story follows Frau Kellner and her teenage daughter, Inge, as they visit a sauna.
The film features notable actors from the German adult and exploitation scene of that era: as a Client. Christine Szenetra as the "Raunchy Client". Plot Summary Hans Billian - Biography - IMDb
“this is alas just another film that panders to the image Thompson himself tried to shirk – the reckless buffoon that is more at home on fraternity posters than library shelves. It is a missed opportunity to take the man seriously.”
This is an excellent summary on the attitude of the seeming majority of HST ‘admirers’.
It just makes me think that they read Fear and Loathing, looked up similar stories of HST’s unhinged behaviour and didn’t bother with the rest of his work.
There is such a raw, human element of Thompsons work, showing an amazing mind, sense of humour, critical thinking and an uncanny ability to have his finger on the pulse of many issues of his time.
Booze feature prominently in most of his writing and he is always flirting with ‘the edge’, but this obsession with remembering him more as Raoul Duke and less as Hunter Thompson, is a sad reflection of most ‘fans’; even if it was a self inflicted wound by Thompson himself.