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We must also consider the role of irony and meta-commentary. Much of this content pretends to have a thesis. An EVA-inspired TME short might end with a title card reading “This is a critique of your consumption habits,” after ninety seconds of graphic imagery. A Notty Entertainment scene will pause for a character to ask, “Why are you still watching this?” Such moves are defensive—they inoculate the creator against accusations of mere shock value—but they also reflect a genuine ambivalence. These works are caught between a desire to offend and a desire to be understood as artists.